Ben Platt's 'Midnight at the Never Get' | 1960s Queer Musical Romance | Review & Analysis (2026)

The Timeless Voice of Ben Platt: A Cabaret-Musical Journey

In the enchanting world of theater, certain voices resonate across eras, and Ben Platt's is undoubtedly one of those rare gems. His latest venture, 'Midnight at the Never Get', is a captivating cabaret-musical that takes us back to the swinging 60s, and what a ride it is!

This production is a testament to Platt's versatility and his ability to transport audiences to another time. His voice, rich with emotion and nostalgia, perfectly suits the era of jazz and cabaret. As Trevor Copeland, he embodies the spirit of a bygone era, crooning his way through a love story that tugs at the heartstrings.

The narrative, penned by Mark Sonnenblick, is a delightful exploration of a gay love story set in the 1960s, a time when such relationships were often forced into the shadows. Platt's character, Trevor, and Arthur Brightman, played by the brilliant Gregor Milne, navigate this challenging landscape with a mix of passion and caution. What makes this musical particularly intriguing is its use of music as a narrative device, with the American Songbook-style tunes providing a backdrop to their journey.

Personally, I find the dynamic between Platt and Milne captivating. Milne, as the troubled songwriter, delivers a nuanced performance, showcasing the internal struggles of a genius. He is the anchor, the steady hand that grounds the story, while Platt's soaring vocals take us to the skies. Their on-stage chemistry is electric, especially when they sing love songs to each other, a bold statement in an era of secrecy and prejudice.

The show's exploration of political choices is thought-provoking. The characters face a dilemma: to protest or assimilate. This is a reflection of the times, where being true to oneself could mean losing everything. It adds a layer of grit to the otherwise smooth jazz-filled narrative, reminding us of the sacrifices often demanded by love.

Director David Cromer's subtle touch keeps the show intimate, allowing the audience to connect deeply with the characters. The set, a lamplit cabaret, enhances the atmosphere, transporting us to a different world. As the story unfolds, we're drawn into the lives of these 60s sweethearts, their joys and struggles becoming our own.

In my opinion, 'Midnight at the Never Get' is more than just a musical; it's a reflection on love, identity, and the power of music to heal. It leaves us with a profound message: even in the darkest times, songs can keep the memories of who we are alive. This is the magic of theater, where stories and melodies intertwine to create something truly special.

As a critic, I'm always searching for productions that go beyond entertainment, and 'Midnight at the Never Get' certainly fits the bill. It's a must-watch for anyone seeking an immersive, emotionally charged theater experience.

Ben Platt's 'Midnight at the Never Get' | 1960s Queer Musical Romance | Review & Analysis (2026)
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